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An opening scene establishes the poverty in the district. A casting call for extras draws a line of hopefuls that reaches out of sight. One of these is Daniel (Juan Carlos Aduviri), a worker who protests when the auditions are cut short. Sebastian ends up casting him in an important role, and he discovers that in real life, Daniel is a leader in a local revolt against the privatization of the local water resources. A California company has bought land rights and plans to charge the Indians for water from their own wells.
My memory stirred uneasily within me. The James Bond movie âQuantum of Solaceâ (2008) involved a scheme to corner the Bolivian water supply, and this seemed ridiculous to me (âOhooo! Nooo!â I wrote). A reader informed me that there was indeed such a scheme, and that in Cochabamba, the Bechtel Corp. lost its fight to charge the locals for water. âEven the Rainâ has been filmed in Cochabamba, is based on that real event and instead of James Bond has Daniel as a Christ figure.
The personal dynamics of a movie location can be tricky. Here Sebastian faces not only a crusading local actor but an alcoholic leading man and a penny-pinching producer. Costa is obsessed with saving money, Sebastian thinks of himself as more humanitarian, but it is Costa who is eventually humanized by the plight of the workers. He grows fond of Daniel's sweet little daughter, and when local forces are brought in to subdue the demonstrations, the girl is injured, and Costa suddenly sees things in a different light. This is not absolutely convincing and depends too heavily on a race through riot-torn streets, but it provides a plot device to explain Costa's rediscovery of conscience.
The performance by Luis Tosar as the producer is confident and sturdy. Gael Garcia Bernal, as the director, is wimpy and not clearly defined, but that's in the nature of the character. The movie is brave to raise the questions it does, although at the end I looked in vain for a credit saying, âNo extras were underpaid in the making of this film.â
What do you want movie. Even the Rain (Spanish: También la lluvia) is a 2010 drama film directed by Spanish director IcÃar BollaÃn about Mexican director Sebastián (Gael GarcÃa Bernal) and Spanish executive producer Costa (Luis Tosar) who travel to Bolivia to shoot a film depicting Christopher Columbusâ conquest. Sebastián and Costa unexpectedly land themselves in a moral crisis when they and their crew arrive at Cochabamba, Bolivia, during the intensifying Cochabamba Water War in 2000, which their key indigenous actor Daniel (Juan Carlos Aduviri) persistently leads.
The film received nominations and won awards internationally, including an Ariel Award for Best Ibero-American Film and three Goya Awards, one of which was Best Original Score for the work of Alberto Iglesias. Additionally, the film was nominated as Spainâs entry for the 2011 Academy Award for Best Foreign Language Film.
Plot[edit]
Mexican filmmaker Sebastián (Gael GarcÃa Bernal) and his Spanish executive producer Costa (Luis Tosar) arrive in Cochabamba, Bolivia, accompanied by a cast and crew, prepared to create a historical film depicting Christopher Columbus's first voyage to the New World, the imposition of Columbusâ will upon the natives, and the subsequent indigenous rebellion by Hatuey. Cognizant of his limited budget, Costa elects to film in Bolivia, the poorest country in South America. There, impoverished locals are thrilled to earn just two dollars a day as extras in the film, and willingly engage in physical labor for set preparation. Costa saves many thousands of dollars by having underpaid extras perform tasks meant to be completed by experienced engineers.
Sebastián casts a local man named Daniel (Juan Carlos Aduviri) in the role of Hatuey, the TaÃno chief who led a rebellion against Columbus; and Daniel's daughter Belén in a crucial role as well. Their first encounter with Daniel gives Costa pause and causes him to oppose his casting, but Sebastian gives him the role. Sebastian is unaware that Daniel is leading demonstrations against the historically real event of water privatization that the Bolivian government has agreed to. Filming begins smoothly despite the alcoholism of actor Anton, (Karra Elejalde) cast as Colón (Columbus), but when Costa observes Daniel's revolutionary involvement, he grows uneasy.
Daniel pretends to acquiesce to Costa's insistence that he stop protesting, but actually continues protesting and sustains facial wounds in a clash with police. At this point, Costa bribes Daniel to wait for filming to conclude before participating in the rebellion again. Daniel agrees, accepting the money, but spends it on funding the protesters and remains involved, eventually becoming bloodied and imprisoned. Free 3d movie creator. Sebastián experiences moral conflict and begins to doubt the likelihood of the film's completion, but is reassured by Costa, who bribes the police for Daniel's temporary release in order to film a key scene, in which Colón and his conquistadors execute Hatuey and his rebels. Upon this scene's completion, police arrive in the Bolivian jungle and detain Daniel again, but are besieged by the film's extras which allows Daniel to escape.
That night, when actors Juan and Alberto see the latest news reports showing violence in Cochabamba, they become so worried that they demand to leave. Sebastián begs them to stay and they hesitantly agree. The next day, as the cast and crew prepare to depart for filming, Costa is met by Daniel's wife, Teresa, who desperately implores him to assist her in finding her daughter Belén, who has disappeared into the protests and is reportedly wounded and needing hospitalization. Teresa's persistence wins over Costa's conscience, and despite Sebastián's equally impassioned insistence against it, he leaves with her.
After Costa and Teresa's obstacle-laden drive through riotous Cochabamba, Belén's life is saved, but her leg is badly injured and may never fully heal. Meanwhile, the rest of the crew is stopped by a military blockade and all except Antón leave Sebastián to journey home. The revolution ends shortly thereafter with the departure of the multinational water company, but Cochabamba is left in ruins from the conflict. Costa expresses hope that the film will be finished after all, and Daniel emotionally presents him with a vial of Bolivian water in appreciation for his life-saving efforts.
Cast[edit]
Release[edit]
The film premiered on September 16, 2010, at the Toronto International Film Festival, then debuted in the United States in October of that year (Los Angeles, California); Britain (London Film Festival); and Spain (Valladolid Film Festival).[2] It made its French debut at the Les Arcs International Film Festival in December 2010.[2] It was screened in the Main Programme of the Panorama section at the 61st Berlin International Film Festival and additionally during the 2011 Sydney Film Festival.[3] After special screenings in Cochabamba's Southern Zone and for the Bolivian press, it opened in Bolivia on twelve screens on March 17, 2011.[4] On release the movie was given a 10/10 by Rotten Tomatoes.
Reception[edit]Awards[edit]
Academy Award EntryThe film was selected in September 2010 over Daniel Monzón's Cell 211 which also stars Luis Tosar, as the Spanish entry for the Best Foreign Language Film category at the 83rd Academy Awards.[5] In January 2011, it landed a spot on the list of the top nine films in its category.[6] However, it was not selected to be among the final five films nominated for the Oscar.
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Cinema Writers Circle Awards
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When Even The Movies Can't Unite Us
Movie Review Even The Rain
Spanish Music Awards
Critical response[edit]
The film received generally positive reviews, earning an 88% approval rating on Rotten Tomatoes, but some critics pointed out potential hypocrisy as a shortcoming.[7]Roger Ebert admires the filmmakersâ courage in choosing the Bolivian water crisis as subject matter, but notes potential hypocrisy, writing, 'â¦at the end I looked in vain for a credit saying, âNo extras were underpaid in the making of this film.â'[8]New York Times writer Stephen Holden also raises this concern, asserting, 'You canât help but wonder to what degree its makers exploited the extras recruited to play 16th-century Indians.'[9] Also, Holden addresses Costa's transformation, writing, 'Mr. Tosar goes as far as he can to make the characterâs change of heart believable, but he canât accomplish the impossible.'[9] Contrarily, Marshall Fine of the Huffington Post views Tosar's efforts as praiseworthy, calling him 'perfect as the producer: bull-headed, charming, conniving and wheedling when he needs to be â but a man with a vision, who ultimately gets his mind changed. Tosar makes his conflict not only credible but palpable.'[10] Praising the film overall, Ann Hornaday of the Washington Post calls Even the Rain 'a story in which personal connections can transcend even the most crushing structures of history and politics.'[11]
Film's historical contextâBolivian water crisis[edit]History[edit]
The mayor and the Bolivian government were wrong to insist on an expensive and unnecessary dam. But the bigger problem was that [the state utility company] Semapa's water tariffs had been too low for too long, starving the system of investment. Had the tariffs been raised earlier, more cash would have been available to improve service. These twin failings meant that any new contract, public or private, was bound to lead to unacceptable price rises.
The restoration of civilian rule to Bolivia in 1982 ended decades of military dictatorships, but did not bring economic stability. In 1985, with hyperinflation at an annual rate of 25 thousand percent, few foreign investors would do business in the country.[13] The Bolivian government turned to the World Bank as a last refuge against economic meltdown. For the next 20 years, successive governments followed the World Bank's provisions in order to qualify for continued loans from the organization.[13] In order to move towards independent development, Bolivia privatised its railways, telephone system, national airlines, and hydrocarbon industry. In October 1999, the privatization of Cochabamba's municipal water supply followed, allowed by a new law and the investment of a new firm, Aguas del Tunari â a joint venture involving San Francisco-based Bechtel Corporation. The agreement involved the firm investing in a long-envisioned dam so they dramatically raised water rates.[14]
Protests, largely organized through the Coordinadora in Defense of Water and Life, a community coalition, erupted in January, February, and April 2000, culminating in tens of thousands marching downtown and battling police in the 2000 Cochabamba protests. In April 2000, the national government reached an agreement with the Coordinadora to reverse the privatization. The wave of demonstrations and police violence was described as a public uprising against games .[15]
See also[edit]References[edit]
Further reading[edit]
Further viewing[edit]
External links[edit]Movie Even The Rain
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